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Posted: 2015 06-15
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YouTube Uploader: Domino Recording Co.
Domino Recording Co.

“Meme Generator” is from Dan Deacon’s Gliss Riffer out now on Domino.

Play the interactive game at http://po.st/DDMemeGeneratorGame
More information: http://dominorecordco.com/memegenerator

Order ‘Gliss Riffer’ on iTunes: http://po.st/GlissRifferiTunes
On CD/LP: http://po.st/GlissRifferDM

Official Site - http://dandeacon.com/
Facebook - http://www.facebook.com/dandeacon
Twitter - @ebaynetflix

Directed by: Monica Mirabile
Produced by: Dan Deacon and Monica Mirabile
Director of Photography: AKLO
3D game production: Ryan Thibeault
Choreographers: Inny Taylor, Gianni Onassis, Jake Dibeler, FLUCT (Sigrid Lauren & Monica Mirabile)
Presented within: SIGNAL
Projection editor: Kofi Carson
Lighting designer: Patrick McMinn
Featuring garments by: CHROMAT
Hair designed by: Jamie Cook
Makeup: Virginia Rohr
Performers include:
Gina Chiapetta
Jake Dibeler
Alexandra Drewchin
Kathleen Dycaico
Hunter Hedenberg
Jade Fusco
Sarah Kinlaw
Sigrid Lauren
Monica Mirabile
Gianni Onassis
Colin Self
Diana Sorokova
Inny Taylor

Special Thanks to:
Kyle Clairmont Jacquez
Alex Johns
Willy Muse
Davie
Robby Radcliffe

Retrieved from Wikipedia:
Meme Generator on Wikipedia
Gliss Riffer
Dan Deacon Gliss Riffer cover.jpg
Studio album by Dan Deacon
ReleasedFebruary 24, 2015 (2015-02-24)
Genre
  • Electronic
  • Indietronica
  • Experimental pop
  • Neo-psychedelia
Length43:48
LabelDomino
ProducerDan Deacon
Dan Deacon chronology
Singles from Glass Riffer
  1. "Feel the Lightning"
    Released: December 11, 2014
  2. "Learning to Relax"
    Released: February 11, 2015

Gliss Riffer is the seventh studio album by American electronic musician Dan Deacon. It was released on February 25, 2015, on Domino Records.

Contents

  • 1 Background
    • 1.1 Themes
  • 2 Recording
  • 3 Reception
  • 4 Track listing
  • 5 Personnel
  • 6 See also
  • 7 External links
  • 8 References

Background

The album's title is combination of the common music term "Gliss", short for glissando, and riffer, "one who plays sick riffs". In an interview with NPR, Deacon said: "It's something that auto-correct wants to make sure that no one can actually type: I've seen "Glass Rafter," "Gloss Dripper." But I kind of like the idea of the Internet trying to change the name of my record. I feel like it really speaks to the age we live in, where there's such a homogeny of technology that you try to write something down, it instantly changes and no one even notices."[8]

While previous efforts Bromst and America utilized outside production from Chester Endersby Gwazda, Gliss Riffer marks Deacon's first production process entirely solo. [9] In an interview with Dummy Mag, Deacon states, “I love working with others, but ultimately I'm a solo artist. After several albums and projects that had large collaborative elements, I wanted to return to making something alone with the instruments I knew best." [10]

Themes

Themes: In an interview with Consequence of Sound about the album, Deacon says, “Lyrically and musically, it’s me trying to relax. I wanted to make Gliss Riffer about me trying to confront my own anxieties or insecurities and the stresses in my life. In saying that, I also wanted the record to be fun. I wanted to figure out why music making is fun for me.”[11]

Recording

Deacon recorded the album while on tour with Arcade Fire in 2014. Deacon created the album in green rooms and hotels, and on days off used studios to track vocals or mix. Deacon states, “When a studio couldn't be found, I dismantled a hotel bathroom, sealing the vents with towels and using all the bedding to turn it into a control room."

While creating the album, Deacon discovered a newfound appreciation for his voice, after going through an extended bout of laryngitis. Deacon states, “I started thinking about how the voice is an instrument that expires, and that made me want to make an album with the voice more exposed.” [12]

The album marks the debut use of Moog's analog synth, the Sub 37.[13]

Reception

The album has received a number of accolades. Consequence of Sound, Under the Radar, and Gigwise named Gliss Riffer the 15th,[14] 41st,[15] and 53rd [16] best album of 2015, respectively.

See also

  • Music of Baltimore

External links

  • Gliss Riffer at Allmusic.

References

  1. ^ "Metacritic Review". Metacritic.com. Retrieved 2015-04-30. 
  2. ^ Deming, Mark. "AllMusic Review". Allmusic.com. Retrieved 2015-04-30. 
  3. ^ McCown, Alex. "The A.V. Club Review". The A.V. Club. Retrieved 2016-05-10. 
  4. ^ Staples, Derek (2015-02-17). "Consequence of Sound". Consequenceofsound.net. Retrieved 2015-04-30. 
  5. ^ Bakare, Lanre. "The Guardian Review". theguardian.com. Retrieved 2016-05-10. 
  6. ^ "Dan Deacon Gliss Riffer". Pitchfork Media. Retrieved 2015-09-11. 
  7. ^ Dolan, Jon (2015-02-24). "Rolling Stone". rollingstone.com. 
  8. ^ "'You Have To Be Bored': Dan Deacon On Creativity". NPR Music. February 28, 2015. Retrieved May 10, 2016. 
  9. ^ http://diymag.com/2015/02/23/dan-deacon-if-i-go-a-couple-of-days-without-writing-music-i-lose-my-fucking-mind
  10. ^ Arthur Ivan Bravo (February 25, 2015). "Dummy Mix 246 // Dan Deacon". Dummy. 
  11. ^ http://consequenceofsound.net/2015/02/dan-deacon-weird-transparency/
  12. ^ http://www.dominorecordco.us/artists/dan-deacon/
  13. ^ Derks, Dan (March 4, 2015). "Learning to Relax". popmatters.com. Retrieved May 10, 2016. 
  14. ^ http://consequenceofsound.net/2015/12/top-50-albums-of-2015/4/
  15. ^ http://www.undertheradarmag.com/lists/under_the_radars_top_100_albums_of_2015/
  16. ^ http://www.gigwise.com/features/104664/best-albums-of-the-year-2015-ezra-furman-kendrick-sufjan
   

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