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Alice Cooper gets American Pie-Eyed on Germany's Beat Club in 1972

This is a life and death video — containing both what saved the group (this hit single) and what killed them (booze n drugs).  After 2 albums on Zappa's Straight Records that bombed and left them a hundred g's in debt, they went back to basecamp in Detroit, were all living in the same room at one point, but ended up hooking up with Toronto-born producer Bob Ezrin who sculpted their rough edges into a pleasurable and punchy sound.

The band were on their last legs and willing to give anything a shot, and when Ezrin took an interest, after not doin' too well on their own, they were open to letting this young producer with good ideas have a free hand. Of course, this song completely changed all five members of the band's lives. After Ezrin got involved they were picked up by Warners, this song became a huge international hit, and then it was “school’s out, Satch."

There’s some good and some bad here, just like most nights at 18 — high energy fun mixed with falling-down drunk. (Watch for the dropped mic stand!) This was their show-closing drawing-card at the time — note the classically cheesy rock n roll ending!  But the revealing honesty captured here is due mainly to it being shot in Germany, not unlike The Beatles’ formative years in Hamburg.  You could play what and how you wanted, and nobody back home would ever know.  Before long, Cooper realized he was an alcoholic and stopped drinking by 1983, and you can see here why that was probably a good idea.

It’s an insightful performance for rock n roll historians because of the Coop’s legendary antics on the road, fostered in part by the burgeoning rock n roll press of the early 70s.  In the mainstream media, rock music was already getting blamed for virtually every ill in society, and then along came this effeminate degenerate who ripped the heads of chickens and drank the blood on stage. “Haven’t you heard?” And all the while their shrewd manager did little to dispel the rumors.

But Note: No animals were harmed in the making of this career.  It was just a helluvan act, complete with guillotines, live snakes, and fake corpses.  How could adolescents not Love It To Death?  But in this clip we’re blessed to see Coop at his worst and the band at their best.  Listen particularly to Glen Buxton’s crystal clear guitar leads (often misidentified by the spotlight operator) from the opening riff to the solo as the credits flash.  Within a couple of years, Buxton would no longer be heard playing anything due to his own drug problems, but after Alice, he was the band’s sound.  And boy, does he ring pure & clear right here.

==================

(left to right): Michael Bruce (rhythm guitar and keyboard); Neil Smith (drums); Alice Cooper (lead vocals); Dennis Dunaway (bass); Glen Buxton (lead guitar).

YouTube Uploader: Beat-Club
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Die komplette Beat Club-Folge mit diesem Auftritt im iTunes Store erhältlich!

https://itunes.apple.com/de/tv-season/beat-club-folge-82-25.11.1972/id31...

Vincent Damon Furnier, better known under his nickname Alice Cooper, was the first "shock rocker" in music history. With the song "I'm Eighteen", the breakthrough hit for Alice Cooper, and the following album "Love It Till Death" the long and successful collaboration with producer Bob Ezrin started in 1971. Famous for his controversial horror-influenced stage shows and branded by increasing alcohol abuse in the mid 70s, Cooper turned during the 80s to a film actor, restaurant owner, golfing celebrity and even a popular radio DJ. Since October 2009 he's also the new testimonial of the German chain of electronic stores called Saturn.

Retrieved from Wikipedia:
I'm Eighteen on Wikipedia
"I'm Eighteen"
Alicecooper18.jpg
Single by Alice Cooper
from the album Love It to Death
B-side"Is It My Body"
ReleasedNovember 1970
Format7"
Recorded1970
Genre
  • Hard rock[1]
  • proto-punk[2]
Length3:00
LabelStraight Records
Writer(s)
  • Alice Cooper
  • Michael Bruce
  • Glen Buxton
  • Dennis Dunaway
  • Neal Smith
Producer(s)Bob Ezrin
Alice Cooper singles chronology

"I'm Eighteen" is a song by rock band Alice Cooper, first released as a single in November 1970 backed with "Is It My Body". It was the band's first top-forty success—peaking at number 21—and convinced Warner Bros. that Alice Cooper had the commercial potential to release an album, and the song features on the band's first major label release album Love It to Death (1971).

The anthemic song is driven by a lumbering, arpeggiated guitar riff and aggressive, raspy vocals. The lyrics tell of the angst and of being "in the middle" between youth and adulthood. It had begun as an eight-minute jam that young Canadian producer Bob Ezrin persuaded the band into tightening into a tight three-minute rocker.

The song was the band's breakthrough, and left a considerable influence on hard rock, punk, and heavy metal. Joey Ramone wrote his first song for the Ramones based on the chords to "Eighteen", and John Lydon auditioned for the Sex Pistols by miming to the song. Bands such as thrash metalers Anthrax have covered the song, and Kiss settled out of court for plagiarism of the song over the 1998 track "Dreamin'".

Contents

  • 1 Description
  • 2 Production and release
  • 3 Chart performance
  • 4 Achievements
  • 5 Legacy
  • 6 References
  • 7 Works cited
  • 8 External links

Description

The dark, aggressive song is driven by a lumbering and distorted, arpeggiated main guitar riff is in E minor;[3] Glen Buxton and Michael Bruce play similar rhythm guitar parts with slight differences, and a pair of acoustic guitars subtly round out the sound—one filtered through a Leslie speaker.[4]

Vocalist Cooper's raspy vocals sing of the existential anguish of being at the cusp of adulthood, decrying in each verse being "in the middle"—"of life" or "of doubt". The chorus switches to a series of crashing power chords building from A, the vocals proclaiming: "I'm eighteen / And I don't know what I want ... I gotta get out of this place / I'll go runnin' in outer space". The song turns around at the conclusion with an embrace of those things that had been such anguish: "I'm eighteen and I like it!"[3] There are no harmonies or doubling in the vocals.[4]

Dennis Dunaway plays a moving, melodic bass part rather than the taking typical rock strategy of holding to the root. The performance also features some distorted lead guitar, Cooper on harmonica during the intro, and an organ that joins the band for the closing chord.[4]

Production and release

The Alice Cooper band and Bob Ezrin did pre-production for the album in Pontiac, Michigan in November and December 1970. Ezrin, with his classical and folk background, attempted to have the band tighten its loosely structured songs. The band resisted at first, but came to see things Ezrin's way, and ten to twelve hours a day of rehearsal resulted in a tight set of hard-rocking songs with little of the psychedelic freak-rock aesthetic of the first two albums. According to Cooper, Ezrin "ironed the songs out note by note, giving them coloring, personality",[5] including cutting down "I'm Eighteen" from an eight-minute jam to a tight three-minute rocker, a song whose aggressive chorus he misheard at first as "I'm Edgy".[6]

"I'm Eighteen" was a sixteen-track recording made at RCA Mid-American Recording Center in Chicago.[4] Ezrin found it a challenge to capture Cooper's raspy vocals with standard techniques: he settled on using a Shure SM57 microphone with high compression and judicious addition of treble and midrange equalization.[7]

Zappa had sold Straight Records to Warner Bros. in 1970 for $50,000.[8] That November[9] the group released a single of "I'm Eighteen" backed with "Is It My Body", and Warner Bros. agreed that if it sold well the group could go forward with an album. The band posed as fans and made hundreds of calls to radio stations to request the song, and Gordon is said to have paid others a dollar per radio request. Soon the song was on the airwaves across the country—even on mainstream AM radio—and peaked at number 21 on the charts.[10] In Canada it broke the top ten, peaking at number 7.[11] The success convinced Warner to allow the band to go ahead with Love It to Death,[12] released February 1971.[citation needed] The band's next single was "Caught in a Dream" backed with "Hallowed Be My Name" in May 1971.[13]

The band played "I'm Eighteen" live on the German television show Beat-Club in 1972. Cooper appeared on the floor in a Wonder Woman T-shirt gripping a whiskey bottle. During an extended intro, Cooper declares "I ain't twenty-one", then "twenty-two" and on until "twenty-five" before the band delivers an aggressive, heavily distorted performance of the song.[14] A few minutes in, Cooper sings "I ain't no American Pie" and then a few variations of "I drove my Chevy to the levee, but the levee went dry", direct references to Don McLean's song, "American Pie", which had gone mainstream and reached its first major peak of popularity that same year.

Achievements

Rolling Stone included the song on its list of "The 500 Greatest Songs of All Time" at #482[18] and had this to say of the song, "Before 'I'm Eighteen,' Cooper was just another hairy rock oddball. But this proto-punk smash defined the age when, in Cooper's words, you're 'old enough to be drafted but not old enough to vote.' Years later, Johnny Rotten sang this at his audition for the Sex Pistols; by then, Cooper was a guest on The Muppet Show."[19]

It was selected by the Rock and Roll Hall of Fame as one of the 500 Songs that Shaped Rock and Roll. It was voted #38 in Detroit's 100 Greatest Songs, a 2016 Detroit Free Press poll.[20] The song ranked #39 on VH1's 40 Greatest Metal Songs and appeared on Guitar magazine as one of the 50 heaviest riffs of all time.

The song "Dreamin'" on the 1998 Kiss album Psycho Circus bears such a resemblance to "I'm Eighteen" that a month after the album's release Cooper's publisher filed a plagiarism suit, settled out of court in Cooper's favor.[21]

Legacy

Black-and-white photo of a spiky-haired youth singing into a microphone

Vocalist Joey Ramone based the first song by New York punk band the Ramones, "I Don't Care", on the chords of the main riff to "I'm Eighteen".[22] John Lydon wrote the song "Seventeen" on the Sex Pistols album Never Mind the Bollocks in response to "I'm Eighteen",[23] and is said to have auditioned for the Sex Pistols by miming to an Alice Cooper song—most frequently reported as "I'm Eighteen".[24]

Thrash metal band Anthrax included a cover of "I'm Eighteen" on its debut album Fistful of Metal (1984).[25] It was later covered by Creed on the soundtrack to the 1998 movie The Faculty, and also by Zwan on tour.

The song was also covered by Camp Freddy with Slash of Guns N' Roses on guitar and Chester Bennington of Linkin Park on vocals.

Don Dokken, John Norum, Bob Kulick, Tim Bogert, Gregg Bissonette and David Glen Eisley performed the song – under the title "Eighteen" – on the tribute album Humanary Stew: A Tribute To Alice Cooper.

The song featured as a 'b-side' track on the Big Country CD single "You Dreamer" in 1995.[26]

It was used in an episode of the 1999 TV show Freaks and Geeks, when guidance counsellor Mr. Rosso (Dave "Gruber" Allen) played an acoustic cover of the song to show the kids he knew what they were going through. The song is featured in Bill Couturié's 1987 documentary Dear America: Letters Home from Vietnam. At the end of the Sons of Anarchy episode "Giving Back", a cover version by Scott Shriner & the Forest Rangers is played.

References

  1. ^ I'm Eighteen. AllMusic
  2. ^ "500 Greatest Songs of All Time". Rolling Stone. Retrieved 29 September 2016. 
  3. ^ a b Waksman 2009, pp. 84–85.
  4. ^ a b c d Baseford 2010.
  5. ^ Crouse 2012, p. 105.
  6. ^ Walker 2013, p. 44.
  7. ^ Hodgson 2010, p. 24.
  8. ^ Konow 2009, p. 34.
  9. ^ Faulk 2013, p. 126.
  10. ^ a b Konow 2009, p. 37.
  11. ^ RPM staff 1971.
  12. ^ Billboard staff 1971a, p. 68.
  13. ^ Billboard staff 1971b, p. 66.
  14. ^ Waksman 2009, p. 85.
  15. ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2016-10-03. 
  16. ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 2016-10-03. 
  17. ^ Whitburn, Joel (1999). Pop Annual. Menomonee Falls, Wisconsin: Record Research Inc. ISBN 0-89820-142-X. 
  18. ^ "Archived copy". Archived from the original on 2012-07-06. Retrieved 2012-07-22. 
  19. ^ "Alice Cooper eChive: Lyrics". Retrieved 29 September 2016. 
  20. ^ "Detroit's 100 Greatest Songs". Retrieved 29 September 2016. 
  21. ^ English 2007, p. 46–47.
  22. ^ Leigh 2011, pp. 92–93.
  23. ^ Hartley 2010, p. 141.
  24. ^ Thompson 2012, p. 152; Strausbaugh 2002, p. 202; Marcus 2009, p. 25; English 2007, p. 47; Ellis 2012, p. 75; Harrington 2002, p. 267.
  25. ^ Wall 2010, p. 146.
  26. ^ "Big Country Info". Retrieved 19 November 2012. 

Works cited

  • Baseford, Chris (11 February 2010). "Secrets of the Masters: "I'm Eighteen" by Alice Cooper". Premier Guitar. Retrieved 8 November 2014. 
  • Billboard staff (6 February 1971). "Alice Produced by Richardson". Billboard. Nielsen Business Media: 68. ISSN 0006-2510. 
  • Billboard staff (8 May 1971). "Billboard Album Reviews". Billboard. Nielsen Business Media: 66. ISSN 0006-2510. 
  • Crouse, Richard (2012). Who Wrote The Book Of Love?. Doubleday Canada. ISBN 978-0-385-67442-3. 
  • English, Timothy (2007). Sounds Like Teen Spirit. iUniverse. pp. 46–47. ISBN 978-0-595-90692-5. 
  • Ellis, Iain (2012). Brit Wits: A History of British Rock Humor. Intellect Books. ISBN 978-1-84150-565-7. 
  • Faulk, Barry (2013). British Rock Modernism, 1967-1977: The Story of Music Hall in Rock. Ashgate Publishing. ISBN 978-1-4094-9413-3. 
  • Harrington, Joe S. (2002). Sonic Cool: The Life & Death of Rock 'n' Roll. Hal Leonard Corporation. ISBN 978-0-634-02861-8. 
  • Hartley, Jason (2010). Advanced Genius Theory: Are They Out of Their Minds or Ahead of Their Time?. Simon and Schuster. ISBN 978-1-4391-1748-4. 
  • Hodgson, Jay (2010). Understanding Records: A Field Guide To Recording Practice. Bloomsbury Publishing. ISBN 978-1-4411-2409-8. 
  • Konow, David (2009). Bang Your Head: The Rise and Fall of Heavy Metal. Crown Publishing Group. ISBN 978-0-307-56560-0. 
  • Leigh, Mickey (2011). I Slept with Joey Ramone: A Family Memoir. Simon and Schuster. ISBN 978-1-4516-3986-5. 
  • Marcus, Greil (2009). Lipstick Traces. Harvard University Press. ISBN 978-0-674-03480-8. 
  • RPM staff (8 May 1971). "RPM 100 Singles". RPM. 15 (12). 
  • Strausbaugh, John (2002). Rock 'til You Drop: The Decline from Rebellion to Nostalgia. Verso. ISBN 978-1-85984-486-1. 
  • Thompson, Dave (2012). Welcome To My Nightmare: The Alice Cooper Story. Music Sales Group. ISBN 978-0-85712-781-5. 
  • Waksman, Steve (2009). This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk. University of California Press. ISBN 978-0-520-94388-9. 
  • Walker, Michael (2013). What You Want Is in the Limo: On the Road with Led Zeppelin, Alice Cooper, and the Who in 1973, the Year the Sixties Died and the Modern Rock Star Was Born. Random House Publishing Group. ISBN 978-0-679-64415-6. 
  • Wall, Mick (2010). Enter Night: A Biography of Metallica. St. Martin's Press. ISBN 978-1-4299-8703-5. 

External links

  • Lyrics of this song at MetroLyrics
  • Audio a.svgHeavy metal portal
  • Audio a.svgRock music portal
   

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